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AI Video Face Swap
Casting in motion: carry your muse’s face through a film so an archive of clips reads as one woman’s work. Priced by length and resolution.
The same rule in motion: fictional, your own, or written consent — nothing else is cast.
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The casting room — film
In motion, casting carries your muse’s face through a film frame by frame, so footage made at different times and in different rooms still stars the same woman. It is the still casting room’s counterpart: reach for it when a catalogue of clips must be gathered under one name, or when a performance is everything it should be except for the face it arrived with. The price follows the length and resolution of the film, is stated on the commission before you confirm, and returns itself when a commission fails.
How casting in motion proceeds
1
Use the same master portrait
The clean, frontal, evenly lit portrait you cast stills with. One master for both rooms is the whole of the consistency system.
2
Choose films of honest geometry
Faces held near-frontal, light steady, features unobstructed. Extreme angles and hurried cutting are where casting strains.
3
Watch it entire before it hangs
Not the first second — the whole film. Casting falters at turns, at profile passes, at changes of light.
Commissions it serves
Gathering
One star across the archive
Films made across a year, in rooms that no longer match, re-cast so the catalogue reads as one woman’s work.
Placing
Scenes made hers
A scenario directed once and filmed generically becomes, after casting, a scene belonging to your muse.
Rescue
When the performance is right
The movement is everything it should be and the face is wrong. Casting corrects the less expensive half of the problem.
The suitability of a film
| Quality | Casts gracefully | Strains the casting |
|---|---|---|
| The face | Frontal to three-quarter | Long passages in profile |
| The camera | Steady, or moving slowly | Sudden pans and an unsteady hand |
| The light | Constant through the scene | Strobe, or hard cuts between rooms |
| Obstruction | The face kept clear | Hair, hands or objects crossing it |
Whose face, and whose footage?
Your muse’s face or your own, upon footage you own or hold documented consent to transform. Real third parties without consent are prohibited.
How is it priced?
By the length and resolution of the film, calculated on the commission and stated before you confirm. A failed commission returns its credits.
Why does a casting falter midway?
At profile turns, at changes of light, at obstructions crossing the face. Review the entire film before it hangs; short, steady scenes hold the casting best.
Should the master match my stills?
It should be the same file. One master portrait serving both casting rooms is what keeps her identical across portrait and film.
Is anything shown publicly?
Nothing. Masters, footage and results are private to your account.
One membership, every room in the club
Portraits, film, retouching and finishing draw on a single balance and rest in a single private library. Begin with the room you need this evening.
Enter the Portrait Room