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The Retouching Room: correct the gown, the room or the hour on a portrait that is nearly right. One instruction at a time, originals preserved.
Retouch only work you created here or media you hold the rights and consent for.
Start from a ready-made scene
Pick an effect, upload your photo, and the built-in recipe does the rest. Same photo, far more reliable results.
You have been writing prompts by hand. Templates skip all of that — pick a card below, upload your photo, and get the same scene in one click.
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The retouching room
Every sitting produces a frame that is nearly right: her bearing is perfect, the light is kind, and the gown belongs to a different collection. The retouching room exists for that frame. State the correction in plain language — a gown exchanged, a room replaced, an evening deepened — and the portrait is re-rendered with the correction made and everything else left exactly as it was. The price is stated before you confirm, and the original is never touched.
The retoucher’s method
1
Mark the frame worth keeping
Strong bearing and good light beneath a wrong detail. A frame weak in its bones is cheaper to sit again than to save.
2
Give one instruction at a time
A single correction per commission keeps the remainder of the portrait standing, and the price predictable.
3
Compare, then keep the finer
Original and retouched rest side by side in your account. Hang the better one; the other has cost you nothing further.
Corrections most often requested
Wardrobe
Another gown entirely
One sitting dressed for three collections in turn — the quietest way to widen a catalogue without widening the week.
Setting
A different room
The salon becomes a library, the library a terrace, while she and the light remain precisely where they were.
Light
The hour, adjusted
Morning becomes candlelight; a flat afternoon becomes an evening — so a frame may join the set it was always meant for.
Instructions that retouch cleanly
Wardrobe
“Change the champagne gown to a deep burgundy velvet gown; keep her pose, her hair and the candlelight exactly as they are.”
The correction is named, and everything else is placed under protection. A “keep exactly” clause is the cheapest insurance in the room.
Setting
“Move the scene to a wood-panelled library lit by a single tall window; keep the subject and her pose unchanged.”
One room exchanged for another. To ask for a new room, a new gown and a new pose in a single commission is to order a new sitting, not a retouch.
Retouch, or sit again?
| The circumstance | The wiser course |
|---|---|
| Bearing and light are right; a detail is wrong | Retouch — it preserves what the sitting achieved |
| The composition itself disappoints | Sit again, with the brief corrected |
| One portrait required in three gowns | Retouch three times from the chosen frame |
How is retouching priced?
Per commission, stated before you confirm. Correcting a chosen frame is ordinarily more economical than sitting and selecting a series again.
Does a retouch alter my original?
Never. The retouched portrait is a new piece; the original remains in your account precisely as it was.
How much may one instruction change?
One correction at a time. Several at once loosen the very parts you asked to keep.
May I retouch photographs I upload?
Yes — your own photographs are governed by the same consent rules as every room in the club.
What if the retouch misses?
Narrow the instruction, and name what must remain identical. A vague brief is the usual author of a wandering retouch.
One membership, every room in the club
Portraits, film, retouching and finishing draw on a single balance and rest in a single private library. Begin with the room you need this evening.
Enter the Portrait Room